Liverpool Schedule

March 5th

Arrived In Liverpool at 1pm

Captured cutaways at 4pm

Met James Rand at Peacocks Bar at 6pm

March 6th

Met James for interview at his house at 12pm

Met Paul Hutchinson for interview at Peacocks at 4pm

Met Andy Hill at Shipping Forecast at 5.30pm

Left Liverpool at 6pm

Shot List

Shot	Location	Shot Type	INT/EXT	Movement	Interviewee	Equipment
1	James Rand's Room	Medium Shot	Interior	Static	James Rand	Camera/Tripod
2	James Rand's Room	CU	Interior	Static	James Rand	Camera/Tripod
3	James Rand's Room	CU OTS	Interior	Static	James Rand	Camera/Tripod
4	James Rand's Room	CU of mixing equipment	Interior	Static	James Rand	Camera/Tripod
5	James Rand's Room	High angle	Interior	Static	James Rand	Camera
6	James Rand's Room	Medium OTS	Interior	Static	James Rand	Camera/Tripod
7	Peacocks Bar	Medium Shot	Interior	Static	Paul	Camera/Tripod
8	Peacocks Bar	CU of face	Interior	Static/Free hand	Paul	Camera
9	Peacocks Bar	Medium Long Shot of Peacocks Sign	Exterior	Static	Paul	Camera/Tripod
10	Peacocks Bar	Medium Shot of statue	Exterior	Static	Paul	Camera/Tripod
11	Peacocks Bar	Medium Shot	Interior	Static/Free hand	Paul	Camera
12	The Shipping Forecast	Medium Shot	Exterior	Static	Andy	Camera/Tripod
13	The Shipping Forecast	CU of face	Exterior	Static/Free Hand	Andy	Camera
14	Streets of Liverpool	Medium	Exterior	Static	n/a	Camera/Tripod
15	Streets of Liverpool	Long Shot (Building)	Exterior	Static	n/a	Camera/Tripod
16	Streets of Liverpool	CU (Simon Cowell (Graffiti)	Exterior	Static	n/a	Camera/Tripod
17	Streets of Liverpool	Medium Shot (Bar)	Exterior	Static	n/a	Camera/Tripod
18	Streets of Liverpool	Medium (Gig Posters)	Exterior	Static	n/a	Camera/Tripod
19	Streets of Liverpool	Long Shot (street/ posters)	Exterior	Static	n/a	Camera/Tripod
20	Streets of Liverpool	Push Focus (Street)	Exterior	Static	n/a	Camera/Tripod

Real Scenes: Bristol from Resident Advisor on Vimeo.

The real scenes documentary are a big influence on our piece. Ideally we'd like to get an overview and opinion of Liverpool's electronic music scene in as much detail and variation as the Real Scenes, but with limited time and interview opportunities this will be a challenge. I'm a big fan of the visual style and the quick cut conversational feel of shifts between subjects dialogue. We'd very much like to achieve something of this quality with our finished film.

'Skateistan: To Live and Skate in Kabul'

SKATEISTAN: TO LIVE AND SKATE KABUL from Diesel New Voices on Vimeo.

This documentary displays the efforts of the Skateistam organisation as well as documenting the turmoil in Afghanistan and the effects on the youth. I really enjoyed the documentary, being a fan of skateboarding myself it really made me happy to see other in less privileged places enjoying it. The cinematography and sound design gave the piece a very ambient atmosphere and presented everything in a very content and picturesque way. To me, this is what made the documentary most effective to me, the beautiful shots and music paired with the post war streets and scenery. The documentary had a very observational approach, and the filmmaker seemed almost invisible and very unessential to interaction with the people the film.

Equipment List

Video

Canon 550D Dslr Camera
Canon 7D Dslr Camera
2 x 8 GB SD cards
2 x Tripods

Audio

Boom
Rifle Mic
Long Xlr Cable
Marantz PMD 660
Sony Headphones

Miscellaneous

Apple Mac Laptop